Iain Quinn: Continuum

Written following an improvisation by Quinn in a similar genre. Pitches in the pedal are based on the name
N-O-T-R-E-D-A-M-E.

The work is dedicated to Canadian organist Maxine Thévenot, who encouraged its composition after hearing the original improvisation, and later premiered the work at La Cathedrale de Notre Dame, Paris. She also performs the work on the recording Without Boundaries, OAR-890, available from the OHS Catalog. Simply click this blue text to view and order!