Seven organs in Bremen are documented in the 24-page CD booklet in full color, with stoplists and histories written in German. Excellent acoustics abound and the technical quality is first-rate. On the 1894 Wilhelm Sauer 4-114 restored at St. Petri Cathedral, Wofgang Baumgratz plays JAN ALBERTUS VAN EYKEN (1823-1868): Toccata und Fuge über BACH, op. 38 BACH: Fuge in c-sharp minor, BWV 849 from the Well-Tempered Clavier On the 1994 Fischer & Krämer 3-45 at St. Remberti, Nils Kuppe plays DE GRIGNY: Récit de Tierce en taille BACH: Komm Gott Schöpfer, Heiliger Geist, BWV 667 RHEINBERGER: Fughette in C über BACH, op. 123a On the 1966/’96 Ahrend 3m at the Lutheran church in Oberneuland, Katja Zerbst plays FRESCOBALDI: Bergamasca from Fiori musicali BACH: Kleines harmonisches Labyrinth, BWV 591 On the 1972 Führer 2-34 in the Lutheran church in Bremen-Aumund, Hans-Dieter Renken plays BUXTEHUDE: Praeludium in d minor, BuxWV 140 BACH: Nun komm der Heiden Heiland, BWV 659 On the 1957/’72/’94 Führer rebuilt to 4-91 at St. Ansgarii, WOLFGANG MIELKE improvises on Wie wunderbarlich ist doch diese Strafe from Bach’s St. Matthew Passion. On the 1964 von Beckerath 3-62 at St. Stephani, Tim Günther plays BUXTEHUDE: Magnificat Primi Toni On the 1992 Kern 3-52 at St. Martini in Lesum, Güter Koller plays KOLLER: Kyrie and Gloria |